I have a friend who is recently divorced. Last December when
she told me that she and her husband were splitting up, I was shocked. They
seemed like the perfect couple, but she told me that I only saw what was on the
outside and not what was going on at home.
She seemed lost, and having to start over with a new
mortgage, car payment, and furnishings made it that much more difficult. Being
downsized to one income means picking and choosing what is a need, and what is
a want.
Over the last few months, however, I’ve seen quite a change
in my friend. She is branching out, and trying things she never would have
before, and doing activities that she never showed interest in before. I was
amazed when she emailed me and said she signed up for a blood drive. I’ve been telling
her for years what a benefit it is to donate, but she’s always shied away from
the needle. After her blood drive, she emailed all the details of how much she
thought it hurt, and how queasy she felt, but said she’s going to sign up
again.
Last night when I talked to her, she told me about the hikes
she’s been going on with her co-workers, and the girls’ weekend they’re going
on in a few weeks. She’s also going to drive part of the Alaska Highway with
her dad this week.
This is a complete change of character for her. But she told
me, that instead of sitting at home feeling sorry for herself, she decided that
she deserved to have fun and get out and see what else was going on in the
world.
I thought about how my characters change from the beginning
of the story to the end. My characters have to make choices, sometimes good and
sometimes bad, in order to grow. I have to put them into situations they must
get out of and create tension that readers will care about. I have to show not
only what is going on externally, but what is “going on at home” behind closed
doors, or internally.
My friend is a great example of characterization in real
life. So far, she’s making good choices. Even though she’s having great
adventure and is happy with her life, for a reader, her story will get boring
after a while. You can look at the tabloids or newspapers for examples of those
that are doing more controversial things. Whether they change for the better or
not remains to be seen, but those bad acts make for more interesting reading.
My point is that characters need multiple dimensions in
order for a reader to care about them. Mix the good with the bad, and show how
they change over time, despite the odds. Make them relatable so they have
issues, that at their foundation, everyone can understand and connect with. If
your reader doesn’t care about your characters, they won’t keep reading.
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