When I received the
galley copy of my book, 2012: The Rising,
I was appalled at the errors that still existed. I edited my book, my beta
readers edited my book, the content editor and the line editor edited my book.
And yet I had pages and pages of corrections to submit.
Even with all those
people finding and fixing errors, something went wrong. But what was it?
You’ve probably heard
of “fresh eyes”—letting a manuscript sit for a few days, weeks, or months
between edits. It is a helpful tool, because when you come back after a short
recess, mistakes seem to pop out and you wonder how you missed them before.
What about “fresh
pages”? Maybe it’s me, but I think I noticed the errors because my book was in
final format. There were fewer words per line, fewer lines per page, different
font, and different font size. It was like seeing my manuscript for the first
time. Call it what you want: a change of perspective, a change of scenery, a
change of view. Whatever it is, it’s a new instrument in my editing arsenal.
I just finished the
edits on the second book in the trilogy, Chasra:
The Homecoming. But before submitting it, I changed the format. I put my manuscript
into two columns per page, and found silly mistakes that were suddenly
noticeable.
From now on, I will
edit with both “fresh eyes” and “fresh pages” to try to ensure that I can catch
my errors. It may not be a foolproof method, but if it means even one less
mistake, it’s worth the effort.
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